Wipers - Is This Real? (Album Review)

 

Wipers - Is This Real?

(1980)


My copy: 2009 limited remastered reissue by Jackpot Records.


Is This Real? Is the debut punk LP from ambitious songwriter Greg Sage, whose blistering combo of punk and melodic alt-rock would go on to influence countless bands beyond its actual time. While conceptually it is clear that this is the debut from a band that is still finding its place, the rhythm and production is phenomenal given the circumstances. 

“Return Of The Rat” is such an impressive opener that the rest of the A-side is largely overshadowed. The guitar playing is so dense and firmly distorted while the melodic bass grooves are perfectly warm - the drums match the pacing perfectly while Sage’s aggressive vocal hooks add just the right level of angst. Sage has a total knack for vocal melody; he can be angry and bitter but also reflective and emotional. “Mystery” is more anthemic as with traditional punk while “Up Front” is the first to focus more on dynamics between the vocals and rhythm section. Dave Koupal’s bass playing is a marvel, as his ability to shift from bubbling melody to sliding progressions on “Let’s Go Away” truly proves his worth. The guitar has its fair share of solos, some more tasteful than others, though the Wipers’ style predates bigger acts like the Replacements by years. 

Though much of the instrumentals repeat certain formulas for structures, Sage’s proclivity for strong vocal hooks allows tracks like “Tragedy” and “Don’t Know What I Am” to remain relevant. “Alien Boy” is an excellent showcase of tension, with release only occasionally being offered up. “D7” is the longest track at just over four minutes, but with good reason as it utilizes patience perfectly, setting it apart from the other tracks. Sage can also sing, as his whispers keep things cool in the first half of “D7” before everything doubles in speed in the second half. The darkest subject matter and tone are present on “Potential Suicide” which cracks open the emotional side of punk music. 

“Window Shop For Love” has the most prominent guitar melody, though much of it is still filled out by the stellar bass performances. The interplay between the guitar and bass is always worth revisiting here. These last two tracks also feature the best vocal performances, especially on closer “Wait A Minute,” which is a rare bout of introspection with less distorted guitar. The progression is triumphant though bittersweet, proving there is more to punk rock than just rage.

There is much wisdom in Sage’s lyrical offerings. While the instrumentals fall into a sort of pattern that causes some tracks to blend together, the vocals are always keeping things memorable. While the Wipers were underrated for their time, their indomitable influence is bright as day now.


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